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    • Visual Signs (2024 F) >
      • 138: Course policies
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Visual Signs

End of year announcements! 
  • Assignment 2:
    • Details here
    • Part 1 (outline) due 12.6 (on Bruin Learn)
    • Part 2 (paper) due 12.13 (on Bruin Learn)

  • (Old) Assignment 1 Details here.

ABOUT

Prof. Gabriel Greenberg [[email protected]]
Philosophy 138: Visual Representation (UCLA)
When: T/Th 12:30-1:45 (PST), Fall 2024
Where: Zoom link here. 

Office hours: W 12:30-1:30 (PST), Zoom link here.
Course policies + grading: here.

THEME

This course examines the meaning of visual signs, through the lens of philosophy, cognitive science, and social science.  In Part I, we'll focus on the the roots of depiction in visual perception.  In Part II, we examine the relationship between pictures, truth, and knowledge.  In Part III, we'll look at the role of pictures in modern society and in the exercise of power.

REQUIREMENTS

See course policies for grading breakdown.
  1. Participation: Every class: participation in discussion, with video on.
  2. Reading question: Every class: prepare three reading questions.
  3. Presentation: Once: prepare an interesting image for discussion.
  4. Assignment 1: Short illustrated paper (~1500 words / 5 pages).
  5. ​Assignment 2: Longer multi-media project (equivalent to ~4000 words / 12 pages).

SYLLABUS 

Subject to revision!  Please refresh regularly.
Readings must be completed before class on the day they are due.

PART I: PICTURES & PERCEPTION


W1.1: Light into paint
10.1 - Tues
  • Handout
  • Reading: ​
    • ​Gibson 1960 "Pictures, perspective, and perception"​
    • Focus questions:
      • What is the primary function of pictures?
      • What is "pictorial fidelity"?
      • Do line drawings elicit "second-hand perception"?

W1.2: Seeing-in
10.3 - Thurs
  • Handout
  • Reading: 
    • ​Wollheim 1984 "Painting as an art"
    • Focus questions:
      • What is the concept of "seeing-in"?
      • What role is played by the "standard of correctness"?
      • Which is primary, representation or seeing-in?

W2.1: Beyond mimesis
​10.8 - Tues
  • Handout
  • Reading: 
    • ​Goodman 1968 "Reality remade" [1-20]
    • Focus questions:​
      • What is wrong with the "imitation theory" of representation?
      • What is the myth of the "innocent eye"?
      • What does Goodman say about Gibson's optical theory?

W2.2: Depiction-as
10.10 - Thurs
  • Handout
  • Reading:
    • ​Goodman 1968 "Reality remade" [21-41]​
    • Focus questions:
      • When does a picture denote an X?
      • When is a picture an X-picture?
      • What is "realism" in depiction?

W3.1: Perspective
​10.15 - Tues
  • Handout (large pdf)
  • Reading: 
    • Video: Introduction to perspective projection (YouTube)
    • Read: Willats 1996 "Projection systems" [37-55]
    • Focus questions:
      • How can you tell if a picture is in perspective?
      • How does perspective projection work?
      • Why do distant object appear smaller in perspective?
      • What kind of pictures are not in perspective?

W3.2: Systems of space
10.17 - Thurs
  • Handout (large pdf)​
  • Reading: 
    • Greenberg 2021 ”Semantics of Pictorial Space” [pdf pgs 1-23 (sections 1-4)]
    • Focus questions:
      • What is pictorial space?
      • What is a viewpoint?
      • What’s the difference between parallel and perspective projection?
      • What is the relationship between projection and pictorial space?

W4.1: Systems of line
10.22 - Tues
  • Handout​
  • Reading: 
    • McCloud 1993 "The vocabulary of comics"
    • McCloud 1993 "Living in line"​

W4.2: Non-western and indigenous art
​10.24 - Thurs
  • Handout​
  • Reading: 
    • Hagen 1986 "Station point options" [141-168]

10.28 - Mon: Assignment 1 Outline - DUE (11:59 PM): 1-page outline for assignment 1
​Assignment 1 details here.

PART II: PICTURES, TRUTH, & KNOWLEDGE


W5.1: Can pictures lie?
10.29 - Tues
  • Handout
  • Reading
    • Noth 1995 "Can pictures lie?"

W5.2: Pictorial truth
10.31 - Thurs
  • Handout
  • Reading
    • Greenberg 2019 "Content and target in pictorial representation" [865-875 (S1), 890-895 (S4)] 

11.4 - Mon: Assignment 1 DUE (11:59 PM): Short paper with illustrations
Assignment 1 details here.

W6.1: Photography as perception
11.5 - Tues
  • Handout
  • Reading
    • ​​​Walton 1984 "Transparent pictures" [246-267]

W6.2: AI Art
11.7 - Thurs
  • Handout
  • Reading (from YouTube, about 45min total):
    • Overview (Vox)
    • Overview (Google):
    • Generative-Adversarial Networks (Altex):
    • Diffusion (AssemblyAI):
  • Mini-assignment:
    • Using your favorite image-generator, try to recreate this image, and be prepared to copy and paste it into the whiteboard.

W7.1: Drawing as cognition
11.12 - Tues
  • Handout
  • Reading
    • Fan et al 2023 "Drawing as a versatile cognitive tool"

PART II: PICTURES & POWER


W7.2: Images and ideology
11.14 - Thurs
  • Handout​
  • Reading
    • Barthes 1977 "Rhetoric of the Image"
    • View the original ad discussed by Barthes.

W8.1: Painting and capital
11.19 - Tues
  • Handout
  • Reading:
    • Berger 1972 "Ways of Seeing, Chapter 5"

W8.2: Photography in society
11.21 - Tues
  • Handout
  • Reading:
    • Sontag 1973 "On Photography", excerpts from:
      "The Heroism of Vision" and "The Image-World"

W9.1:
11.26 - [NO CLASS]

W9.2:
11.28 - [NO CLASS]

W10.1: Painting and the male gaze
​12.3 - Tues
  • Handout​
  • Reading:
    • Berger 1972 "Ways of Seeing, Chapter 2"

W10.2: Maps and empire
​12.5 - Thurs
  • Handout
  • Reading:
    • Harley 1988 "Maps, knowledge, and power"

[CANCELED] Maps and power


Reading:
  • Wood 1992 "Maps Work by Serving Interests"

12.6 - Fri: Assignment 2 Outline - DUE: Longer project

12.13 - Fri: Assignment 2 DUE: Longer project

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